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Gaza Women Turn Experiences of Hunger and Loss into Films

ガザの女性たちが飢餓と喪失の体験を映画に

#cinema#documentaries#Gaza#women filmmakers#culture
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In an 11-minute documentary titled A Sack of Flour, emerging filmmaker Mona Abu Qass draws on her own experience of starvation to capture the perilous search for food in Gaza and the lasting psychological trauma of hunger. Another film, Beyond Silence by debut director Raghda al-Buhaisi, chronicles the wartime ordeal of a deaf artist whose studio was destroyed and whose relatives were killed, illustrating how he uses roadside painting to convey grief and displacement without spoken or sign language.

draws on= 自身の経験や知識、情報源などを活用・依拠する

These works are among five short documentaries by Palestinian women screened at the opening of the second Gaza International Women's Film Festival. Hosted among the ruins of the al-Nakheel Hall in central Gaza's al-Bureij under the slogan "Women Creating Life from Death," the screening also marked the launch of the Gaza Cinema Academy. The featured films were produced through a diploma programme launched in March that brought together 25 young women to document daily life during a war that has lasted three years and killed more than 74,000 Palestinians.

Hosted among the ruins of= 破壊された建物の残骸・瓦礫の中で開催されて

The other films in the showcase focus on different aspects of survival amid ongoing bombardment and siege. Soso: The Lifeline follows an orphaned boy and his donkey assisting neighbors, Remnants of Light portrays a filmmaker coping with the loss of her home and family, and Dandana centers on a mother who sings traditional songs with surviving relatives after losing eight children. Festival director Ezzedine Shallah said the documentaries preserve personal testimonies that might otherwise never reach screens, transforming individual pain into broader human narratives for international audiences.

amid ongoing bombardment and siege= 絶え間ない砲爆撃と包囲が続く最中に

Producing cinema in the enclave poses severe challenges, from destroyed cultural spaces and scarce equipment to frequent power outages and lack of funding. Festival co-founders Rima Mahmoud and Mai Masri pointed out that women filmmakers often rely on simple, self-funded methods to overcome these barriers. According to Masri, helping young women tell their own stories allows them to develop professional skills, resist cultural erasure, and preserve collective memory despite widespread devastation.

poses severe challenges= 深刻な困難や課題をもたらすresist cultural erasure= 文化的な忘却や意図的な抹消に抵抗する

学習ノート

表現パターン

パターン意味
draws on自身の経験や知識、情報源などを活用・依拠する
Hosted among the ruins of破壊された建物の残骸・瓦礫の中で開催されて
amid ongoing bombardment and siege絶え間ない砲爆撃と包囲が続く最中に
poses severe challenges深刻な困難や課題をもたらす
resist cultural erasure文化的な忘却や意図的な抹消に抵抗する

語彙

語意味
perilous非常に危険な。命にかかわるような危険を伴う。
ordeal非常につらく、苦しい体験。
displacement人や物に取って代わること。特に、強引または不正な手段で他者の地位を奪うこと。
siege軍隊が城・都市などを包囲し、外部との連絡や物資の補給を断ったうえで攻撃すること。包囲攻撃。
testimonies法廷などで、宣誓したうえで述べる証言
devastation広い範囲に及ぶ大きな破壊や被害。また、その結果生じた荒廃した状態。

言語メモ

  • •記事タイトルの「Turn [X] into [Y]」(〜を…へと変える)は、被害を単に受動的なものとして描くのではなく、逆境を創作の力へと転換する当事者の主体性を強調する英語報道特有の表現です。
  • •「resist cultural erasure」(文化の抹消に抗う)という表現は、戦時下の映画制作が単なる芸術表現にとどまらず、集団的記憶を後世に残すための記録活動としての役割を帯びていることを示しています。

練習

読んだ内容を確認しましょう。

  1. In an 11-minute documentary titled *A Sack of Flour*, emerging filmmaker Mona Abu Qass draws on her own experience of starvation to capture the   search for food in Gaza and the lasting psychological trauma of hunger.

  2. How does the deaf artist in the film Beyond Silence express his wartime experiences?

Source: Al Jazeera